The Revenant – Alejandro G. Iñárritu

The Revenant starring Leonardo DiCaprio and Tom Hardy. Photo Credit: Everett/Rex/Shutterstock

The Revenant starring Leonardo DiCaprio, Tom Hardy, and Domhnall Gleeson.
Photo Credit: Everett/Rex/Shutterstock

This is a movie about pain – mental and physical pain.  Leonardo DiCaprio will make you feel every bit of suffering endured by his character, Hugh Glass, in The Revenant, Alejandro Iñárritu‘s latest 156 min tour de force. If gore and death make you at all squeamish, this is not the movie for you. Arrows cutting through flesh, burning bodies, claws ripping through skin and crushing bone, the disembowelment of a horse, these are just a few things that might turn a lot of people off. But if you can handle it, you’re in for a film experience that doesn’t come around very often.

Fresh off of his Best Picture and Best Director win at the Oscars last year for Birdman or (The Unexpected Virtue of Ignorance), Alejandro Iñárritu has directed and written yet another masterpiece, although arguably less, shall we say, odd. The Revenant takes place in the early 19th century American wilderness and tells the (embellished) true story of Hugh Glass, a renowned fur-trapper who was left for dead by the men he was guiding after he was viciously mauled by a bear. The majority of the movie is watching him struggle to survive and watching him try to make his way back to the camp to face the man who ultimately made the decision to leave him (Tom Hardy).

From the group’s first ambush by natives, it’s clear that there will be a significant amount of violence throughout the movie. The scene with the bear is by far the most gruesome and realistic attack by a wild animal ever to be shown on screen; it just proves that there is absolutely no holding back in The Revenant. The horror stories from the set, from the freezing temperatures to the struggles to find the right setting and only being able to shoot an hour a day in order to get the ideal natural lighting, shows the director’s passion and desire to get things perfect. Whether or not you can stomach the brutal violence, there is no denying the fact that it is a visually stunning film. It’s as real as it’s going to get for a movie filmed in this age of technology.

There are incredibly strong performances in The Revenant, led of course by Leonardo DiCaprio in one of his most outstanding immersions into a character to date. This is what acting is. Every moment is a struggle for Hugh Glass and Leo makes sure the audience struggles with him every step of the way. Even though they aren’t getting as much credit as Leo, Tom Hardy and Domhnall Gleeson are just as convincing, albeit with smaller roles (Tom Hardy also has a nomination for Best Supporting Actor). For a movie just over 2.5 hours, there isn’t much dialogue (especially for Leo) but nature and the subtle soundtrack play such strong parts that it doesn’t really matter. What Alejandro Iñárritu has done with this film is nothing short of spectacular. To get the audience to actually feel cold (and a little sore) when leaving the theatre is not an easy feat, and he certainly did his job with the help of the cast.

Nominated for 12 (of 14) Oscars, The Revenant will certainly walk away with a number of wins on February 29th – and it would be an utter travesty if Leonardo DiCaprio did not win Best Actor.

The Revenant saw a limited release in the U.S. at the end of December 2015 and has had a steady theatrical rollout from January 2016 through to the end of February 2016.

Update: The Revenant won Academy Awards for BEST ACTOR, BEST CINEMATOGRAPHY,  and BEST DIRECTOR

Water the official trailer here:

The Martian – Ridley Scott

The Martian starring Matt Damon.

The Martian starring Matt Damon.
Photo credit: Aidan Monaghan/20th Century Fox

The words “Ridley Scott” and “comedy” are not often seen together in the same sentence, but in the case of The Martian, many reviews have made the exception. Director and Producer Ridley Scott is best known for films such as Blade Runner, Alien, Gladiator, and Prometheus – all great movies, but all with little-to-no humour. The Martian is something different altogether and definitely appeals to a much larger audience than the other films.

The Martian was adapted by Drew Goddard (Cloverfield, World War Z) from Andy Weir’s book of the same name. With a lot of heavy involvement from NASA as well as other space experts, the science behind The Martian strikes a balance between fiction and fact. Unlike the other movies it has been compared to, namely Interstellar and Gravity, almost everything in the book and the movie is said to be accurate or at least “possible”. The humour from the book was kept alive by Matt Damon, who plays the lead character Mark Watney who is left behind on Mars for a long, long time. With limited food and supplies, he is forced to use his NASA training and botany background to “science the shit” out of everything in order to survive.

The majority of the movie is a one-man show, and Matt Damon is absolutely hilarious. His character uses a video diary to capture his thoughts and document his time on Mars and despite his dire situation, he keeps his spirits up by staying active and seeing the humour in everything that happens. Jeff Daniels, who plays the Director of NASA, is also seen channelling his Newsroom character and is fun to watch. Other actors in supporting roles include: Kristen Wiig, Jessica Chastain, Sean Bean, Kate Mara, and Michael Peña.

The movie has everything – laughs, tears, action, and edge-of-your-seat sequences that will have you holding your breath. It is a story about science, exploration, adventure, and problem solving and how it can bring people together. The Martian was conveniently released around the same time as the discovery of water on Mars and hopefully it will bring some interest back to NASA and help it become what it used to be in the 60’s – exciting!

The Martian was released on October 2, 2015 and is now playing in theatres everywhere.

Watch the official trailer here:

Southpaw – Antoine Fuqua

Southpaw starring Jake Gyllenhaal and Rachel McAdams.

Southpaw starring Jake Gyllenhaal and Rachel McAdams.
Photo Credit: Scott Garfield/The Weinstein Company

Heartbreaking, absolutely heartbreaking. Directed by Antoine Fuqua (Tears of the Sun, Training Day, Shooter, The Equalizer) and starring Jake Gyllenhaal, Southpaw follows the story of a very successful boxer, Billy Hope, who falls on hard luck after his wife (Rachel McAdams) dies tragically and everything else in his life disappears along with her.  In order to get his life and his daughter back, Billy Hope puts all his hope (not to mention his body) into getting back in the ring and becoming a better man and single father. With the help of a new trainer with demons of his own (Forest Whitaker), Billy finds it in himself to change his style, his attitude, and ultimately, the trajectory of his life. It can be painful to watch at times (for the punching as well as for the more emotional scenes), but it’s certainly worth watching.

Sports-related comeback movies are not uncommon, but what makes Southpaw so unique is the pure, raw emotion and the way it is presented. This movie is so well-acted that you forget you have seen this kind of boxing/redemption movie before. Jake Gyllenhaal is like you’ve never seen him. In order to condense the eight months of necessary boxing training in half, he trained twice a day for four months in order to get his body into the right shape and have enough boxing prowess to film the fight scenes. His isn’t just physically at his best either, this is one of the better performances he has given in his 24-year career. The other actors that should not (and cannot) be overlooked are the ones who play his wife and daughter, Rachel McAdams and Oona Laurence.  Since it was shown in the previews and provides the basis for the movie, the on screen death should come as no surprise and shouldn’t be considered a spoiler. But brace yourself; it is by-far one of the most gut wrenching, realistic, and heartbreaking moments you can ever witness on film.  Oona Laurence also has many impressive scenes, especially for a newcomer such as herself.

Overall, Southpaw is not light, is not funny, and should be watched with the expectation that you will be emotionally affected, perhaps even grieving through some intense moments. It is an absolute must-see for the performances and to witness what the human body can do (and endure) in four months.

The soundtrack features two new songs from Eminem (“Phenomenal” and “Kings Never Die”) and a score by the late James Horner, to whom the soundtrack was dedicated. As usual, Horner delivered a powerful score; his music and his talent will certainly be missed.

Southpaw is now available on DVD and Blu-ray. It made over $104M in the worldwide box office, about 50% of that was domestic.

Watch the official trailer:

The Age of Adaline – Lee Toland Krieger

The Age of Adaline starring Blake Lively, Ellen Burstyn, and Harrison Ford.

The Age of Adaline starring Blake Lively, Ellen Burstyn, and Harrison Ford.

While many of us strive to stop the aging process (particularly after the age of 29), the repercussions of succeeding are just something no one thinks about. The Age of Adaline, shows audiences what it would be like, and the precautions one would have to take, if that wrinkle-reducing face cream actually started working. Adaline Bowman (Blake Lively) was born in 1908 and after a freak accident at the age of 29, she simply stopped aging. A widow and mother of a young girl, Adaline tries to live a normal life but is soon faced with some unique challenges on account of her remaining 29. So she runs, and continues running – which brings us to the year 2014.

The main story takes place in the present, so after doing some math one can deduce that she is well over 100 years young when she meets handsome Ellis and is forced to re-evaluate how she had planned to live out her seemingly endless days. Being unable to tell anyone about her condition, Adaline had vowed to move and change identities every decade in order to avoid suspicion – meeting Ellis makes her think twice. She had only fallen in love once before, and the movie leaves enough breadcrumbs here and there to help the audience piece together her whole story.

While not ideal, the key events and backstory are relayed to the audience through a narrator whose sole purpose is to explain the science behind Adaline’s condition. This was likely done to dismiss the questions that would inevitably arise in one’s mind and ultimately take away from the movie. It proves a little clumsy and contrived, but it succeeds in the end. Instead of questioning how the heck this is all possible, you are able lose yourself in the movie and the romance relatively guilt-free. While it sometimes seems like it could have been adapted from a Nicholas Sparks book, thankfully the story comes across as more genuine and the acting is significantly better than what is typically seen in those movies (The Notebook is the only exception).

The charming Ellis is played by Michiel Huisman (Game of Thrones, Nashville, Wild) and he immediately wins the hearts of female audience members as he pursues Adaline and refuses to take “No” for an answer. The smaller roles, but the ones that ultimately give The Age of Adaline some clout, are played by Ellen Burstyn and Harrison Ford. Sometimes it can be hard to appreciate Ford’s acting abilities, but he is responsible for some of the more emotional scenes in this movie and his commanding screen presence is undeniable. This type of performance hasn’t been seen from him in quite some time so it is really refreshing to watch.

We’re likely all guilty of thinking that Blake Lively (Gossip Girl, The Sisterhood of the Travelling Pants) could never hold her own as the female lead on the big screen, let alone alongside the likes of Ellen Burstyn and Harrison Ford. Well, we were wrong. Her performance is subtle but there is nothing to suggest that she doesn’t belong there; and there are a couple scenes in particular that prove she is not going anywhere either.

It’s a beautifully shot and moderately sappy love story with a unique twist that will be enjoyed by most women and tolerated by some men. It’s a good mother-daughter movie and perfectly acceptable for a pre-teen girl’s night. You would never know it was written for the screen by two unknown middle-aged men.

The Age of Adaline is now playing in theatres.

As published on Examiner.com

Exodus: Gods and Kings – Ridley Scott

Exodus: Gods and Kings starring Christian Bale,  Joel Edgerton, John Turturro, Aaron Paul, Sigourney Weaver, and Ben Kingsley 20th Century Fox

Exodus: Gods and Kings starring Christian Bale and Joel Edgerton
(20th Century Fox)

Epic in scale, but lacking in passion and conviction, Exodus: Gods and Kings is directed by Ridley Scott and stars Christian Bale as Moses, the adopted Egyptian prince and prophet who saves the Israelites. The story of Moses is captured in the Bible’s Book of Exodus, hence the movie’s name, which is Hebrew for “going out”. His story is essentially the story of how the Israelites escaped from Egypt and the perilous life of slavery by following him on a treacherous journey through the mountains and across the Red Sea.

As a viewer with no religious or historical background, Exodus: Gods and Kings will be intriguing but also a little confusing as the background of Moses’ upbringing is skimmed over and not properly explained. Watching as an individual who is well-versed in the Biblical story and other theatrical interpretations of it, the movie will be frustrating and, aside from the impressive CGI, it will be boring. While the older theatrical versions of the story of Moses for the most part interpreted the Bible literally (i.e. the burning bush, the plagues, and the parting of the Red Sea), Exodus: Gods and Kings actually attempts to make some aspects of the story more realistic and believable for the 21st century audience; and in this, it succeeds. The visual effects were refreshing in the sense that they were not completely over-the-top and mostly stayed within the realm of the believable. Despite this, however, it never truly meets expectations and the rather abrupt ending leaves one feeling impassive regarding the 150 minute experience.

It is quite rare that an animated movie, namely Disney’s The Prince of Egypt (1998 – animated), can do a better job at explaining this historical event and provoke more emotion with respect to the main character, but in this case it’s true. Even 1956’s The Ten Commandments with Charlton Heston seemed more true to the story and put its 220 minutes to relatively good use.

As movie-goers have come to expect a great performance from Christian Bale, the fact that he is convincing and quite good in the role of Moses just isn’t enough of a reason to watch the movie. His stellar performances are typically enough to carry a bad movie and appeal to audiences who appreciate the art, but due to the movie’s grand scale and lack of depth, it simply isn’t the case here. Unfortunately, this film missed the mark and will leave most viewers disappointed and underwhelmed.

Exodus: Gods and Kings was released in theatres in December 2014 and is now available on DVD and Blu-Ray.

As published on Examiner.com

This is Where I Leave You – Shawn Levy

this is where

This is Where I Leave You starring Jason Bateman, Tina Fey, and Jane Fonda.

A fairly typical story of a dysfunctional family brought together by a family tragedy, This is Where I Leave You combines quality acting with a mix of giggle-worthy humour and drama. The movie begins with Judd Altman (Jason Bateman) having a really, really bad day when he learns that his wife is cheating on him with his boss and that his father has died. The old man’s dying wish, according to Judd’s mother (the age-defying Jane Fonda), was for the family to “sit shiva” according to Jewish custom. This provides the basis for the big family reunion and the reason for having to spend every day for the next seven days together in the family room. Although the reason for the reunion is religion-based, the family is not at all religious and that is where some of the fun comes in – “Mom, you’re sitting in the exact same spot we put our Christmas tree…”

The family also consists of Judd’s three other siblings and their significant (or insignificant) others: older brother Paul (Corey Stoll) and his wife Annie (Kathryn Hahn), little brother Phillip (Adam Driver) and his new girlfriend (Connie Britton), and finally his sister Wendy (Tina Fey) and her mostly absent husband. Coming from a relatively small town, there are a number of close family friends who play a part in the madness that ensues, complete with colourful language and themes which aren’t completely family-friendly. Other supporting actors include Timothy Olyphant, Rose Byrne, Ben Schwartz, Dax Shepard, and Abigail Spencer. Shawn Levy as the Director (Real Steel, Night at the Museum, Date Night, The Internship) brings all of these talented actors and comedians together in perfect balance and handles the dysfunctional family clichés well in order to make the movie unique enough for tougher audiences.

This is Where I Leave You isn’t too long (103 minutes) and amidst the giggles, even has a few moments that genuinely tug at the heart strings. The majority of the laughs come, expectantly, from the exchanges between Bateman’s and Fey’s characters, and overall, the family dynamic is pretty believable compared to other family-based dramedies. It isn’t completely unlike The Family Stone in this way. It is a fairly light movie with a good ending that will leave most people happy that they saw it, in genuine awe of Jane Fonda’s overall appearance (the woman is in better shape than most 25 year olds), and maybe wishing they had a larger, funnier family.

American Sniper – Clint Eastwood

American Sniper starring Bradley Cooper and Sienna Miller.

American Sniper starring Bradley Cooper and Sienna Miller.

Ignoring the memoir on which American Sniper was based, and ignoring the controversy surrounding Chris Kyle as a person, American Sniper is a decent war movie, but not much more than that. It follows the central character’s journey from his early life in Texas to becoming a U.S. Navy SEAL and finally to his multiple tours in Iraq where he earns the title “most lethal sniper in U.S. military history” with 160 confirmed kills. The action scenes are good and exciting but the rest feels a bit empty and, for lack of a better word, passionless.

Chris Kyle is portrayed as an unwavering American patriot who firmly believes in the war and never questions its objective to protect American citizens from the threat of the Taliban. Unfortunately for his wife and children, Chris becomes so attached to the war that he finds it hard to come home and even harder to stay home. American Sniper follows the man and his story, but unfortunately all the pieces to the story seem to be fragmentary and disconnected from each other. It’s bound to happen when a Director attempts to cover a man’s entire career in 132 minutes, even when that Director is the great Clint Eastwood. It is obvious that some liberties were taken with respect to the memoir in order to weave a better story and to meet the standards of a Hollywood biopic, but it still seems to lack the coherence necessary to make it truly resonate with the audience. That being said, the war scenes were all done very well and provide for some very tense and very raw moments that’ll surely have movie-goers holding their breath, but Clint Eastwood could have done more to explore the human element of a story like this.

Fortunately for Chris Kyle’s memory, the movie seems to distance itself from his more unlikeable traits and actions described in his book and also covered in the media. However, touching on at least some of Chris Kyle’s weaknesses and psyche would have made the movie a little less hollow. Instead, all you see is a soldier who identifies better with his comrades and his war persona (“The Legend”), than he does with his own family back home, but without much of an explanation other than pure patriotism. This is a notion that many soldiers from any country can identify with – the struggle to come home and live each day as if your fellow soldiers aren’t fighting for their lives or for the lives of others. Bradley Cooper is solid in his performance and certainly went through an intense ordeal to bulk up significantly for the role. There are a few key scenes that show his true range as emotions finally erupt from his character, but unfortunately this isn’t the role that will define his career from this point on. Sienna Miller, who plays Chris Kyle’s wife Taya, also puts in a good performance and channels Taya’s frustration and struggle to understand who her husband has become.

One thing in particular that stands out about American Sniper is the ending. It was executed with perfection and will leave those who don’t know what happens a bit stunned and those who do know will be satisfied. The end credits are also quite touching, to the point where it feels almost disrespectful to leave before they wrap up.

As a sniper, Chris Kyle’s skill and accomplishments cannot be disputed, but as an American hero who emulates everything we want our children to be, that is up for debate. A heated debate, it would seem.

The Theory of Everything – James Marsh

Theory-of-Everything-banner

The Theory of Everything starring Eddie Redmayne and Felicity Jones.

Those who recognize the name “Stephen Hawking” will likely know him for his unique robotic voice and as one of the world’s most brilliant minds who seems to know more about the workings of the universe than any other human being. All the things we don’t know are captured in the movie The Theory of Everything, which is loosely based on the memoir by Hawking’s first wife, Jane Hawking.

The movie focuses on Hawking as a graduate student at Cambridge and his blossoming relationship with Jane, a smart and ambitious woman who was also studying at Cambridge, as well as the progression of his disease and how it affected their lives. Stephen Hawking was diagnosed with motor neuron disease while he was still at Cambridge and has lived with the disease for over 50 years. Motor neuron disease is also referred to as Amyotrophic lateral sclerosis (ALS) or Lou Gehrig’s Disease and is mostly considered fatal; in fact, Hawking was originally given about two years to live. Hawking is a physical and mental marvel and The Theory of Everything follows his extraordinary life from 1963 to 1989.

Eddie Redmayne and Felicity Jones star as Stephen and Jane Hawking and both deliver performances that deserve all the recognition and awards they have received. Redmayne’s portrayal is nothing short of Oscar-worthy and must have been very difficult physically and mentally. Jane Hawking has said that she felt as if Felicity Jones stole her identity as she plays her so flawlessly. It is absolutely devastating watching them struggle as the disease slowly takes away Hawking’s mobility and speech. We watch as he becomes completely dependent on Jane and is left with nothing but his own thoughts and no means by which to share them with the world; that is, until the computer comes along to help him.

At its core, The Theory of Everything is a touching and tragic love story but it also touches on the brilliance of Hawking’s theories in quantum mechanics and relativity. It is heavy on emotions and light on the mathematics, which makes the movie universally appealing, especially since the topics Hawking studied are far beyond the understanding of the average person, particularly those who have not read his best-selling book “A Brief History of Time”. The movie doesn’t hold back and the Hawkings’ struggle is shown as something real and not just Hollywood fluff.

Even though a movie’s soundtrack can sometimes go unnoticed by movie-goers, the score by Jóhann Jóhannsson is beautiful and compliments the story well, while stirring up emotions right through to the end credits.

With the success of the “ALS Ice Bucket Challenge” in 2014, one can only hope that all of those who donated but had no concept of the disease will watch this film and finally get a glimpse of what ALS does to people and their families, especially those who are not as lucky to live as long as Stephen Hawking has.

The Imitation Game – Morten Tyldum

The Imitation Game starring Benedict Cumberbatch and Kiera Knightley.

The Imitation Game starring Benedict Cumberbatch and Kiera Knightley.

Spectacular, simply spectacular. The Imitation Game exceeds expectations in every way and certainly deserves all the hype. If you aren’t already on the Benedict Cumberbatch bandwagon, then you will be after seeing this movie. His portrayal of Alan Turing, British mathematician and the father of computer science, is perfection. As with most geniuses, it would appear that Turing’s strength did not lie in his social skills or his ability to pick up on social cues and Cumberbatch captures the social awkwardness and egotism so well that one forgets that he just played “Khan” in Star Trek Into Darkness. It seems he can do no wrong these past couple years and he has earned a well-deserved Golden Globe nomination for his most recent performance. Kiera Knightley also stars as Joan Clarke, a close friend and fellow cryptanalyst who worked as a code-breaker at Bletchley Park with Turing.

The Imitation Game covers a lot of ground and touches upon various points of Turing’s life, including his homosexuality and how this secret affected his life, relationships, and his career. It also briefly touches upon sexism and ethical dilemmas but doesn’t overdo it in any way. The movie keeps you interested and in awe of what this man could do (and how his mind worked) in a time when radios ruled and television and computers were still just ideas waiting to be realized.

The various time jumps were flawlessly executed and never lost the audience as the story moved from the 1950’s to the 1930’s/1940’s and finally to the 1920’s when Alan Turing was just a boy at school struggling to fit in. We watch as Alan discovers his passion for codes with the help of a special school friend and eventually ends up helping to do the unimaginable – break the Enigma encryption. Most people have heard of Enigma machines, as they were a major player in World War II and used by the Germans as a means of encrypted communication, but Alan Turing’s story is an instrumental piece of history that was mostly unknown until the latter part of the 20th century. The Imitation Game is Hollywood’s first real attempt at bringing his story forward and to the rest of the world.

As it goes with movies of this type, there are a number of historical inaccuracies that have come to light and it would seem that Morten Tyldum as Director has taken some liberties for the sake of making a good Hollywood movie – but boy, did it ever work. If the historians in the audience can excuse this, then what is left is a great film about a great man whose contribution to the end of WWII cannot be ignored. Perhaps it will even get movie-goers to do their own research on the event that likely saved millions of lives, maybe even some loved ones who were fighting while the mathematicians were codebreaking.

Unbroken – Angelina Jolie

unb2

Unbroken starring Jack O’Connell, Domhnall Gleeson, and Garrett Hedlund.

In a span of about two years, Louis Zamperini was in a plane crash, stranded on a lifeboat for over a month, and was tortured in multiple Japanese Prisoner of War camps. Unbroken follows his story, which begins with him as a young delinquent and then as a track star who eventually makes it to the 1936 Olympics in Germany. He was on a rescue mission with a few other men during WWII when his plane went down over the ocean. What followed the crash is the main focus of the movie and how one man never seemed to lose hope and how sheer determination allowed him to survive an ordeal that hurts just to watch on the movie screen.

Unbroken is slow and you feel almost all of the 137 minutes; however, it is still worth watching even just to see Zamperini’s story unfold and learn what it’s like to truly appreciate life. There are two main parts to this story – the lifeboat ordeal and the POW camp experience that immediately followed. The weeks spent on the lifeboat with two other men is where you really get to know Louis and see him as a likeable, caring, and resourceful young man with an almost unmatched will to survive. After breaking the record for the most days spent stranded at sea, they are “rescued” by the Japanese and face a completely different challenge.  The fact that he survived both is pretty unbelievable, especially when a sick guard seemed to really have it out for him in the camp.

For a group of newcomers, the acting is quite good. There are a few familiar faces whose names you likely don’t remember, such as Domhnall Gleeson (Anna Karenina, About Time), Jai Courtney (Jack Reacher, A Good Day to Die Hard, Divergent), and Garrett Hedlund (Troy, Four Brothers, On the Road, Inside Llewyn Davis) but this is definitely the breakout movie for the lead actor Jack O’Connell. Both he and Domhall Gleeson lost a significant amount of weight for the sake of their roles and their performances seemed genuine and believable.

The biggest surprise Unbroken has to offer is the fact that it was written by Joel and Ethan Coen. These brothers are best known for their quirky humour, clever banter, and generally movies that don’t tend to appeal to the masses (Fargo, The Big Lebowski, No Country for Old Men, Burn After Reading). This seems to be a totally new territory for them and it’s really difficult (if not impossible) to see any of their typical style in the script – it’s not funny, it’s not satirical, and it has no big-name actors. Even so, it’s a job well done for a serious biography-style film and Angelina Jolie did the story justice as a Director.

Although Unbroken received applause in the theatre upon conclusion (which is relatively rare) it didn’t quite hit the expected homerun for a release this late in the season. The audience who will enjoy this movie the most are likely the older generations who have longer attention spans and a deeper connection to WWII. The younger generation will be happy they saw it and will potentially complain about life a little less afterwards, but will ultimately find it a little more forgettable. Regardless, the name Louis Zamperini will live on and those who see it will definitely remember his remarkable story – which is the whole point, anyway.