Irrational Man – Woody Allen

Irrational Man starring Joaquin Phoenix, Emma Stone, and Parker Posey.

While not quite up to par in terms of his recent works (Magic in the Moonlight, the Oscar-winning Blue Jasmine, and Midnight in Paris) Woody Allen‘s Irrational Man still manages to be moderately amusing and light in a way that only fans of the Director/Writer will appreciate. This movie in particular will not likely appeal to as many people as Woody Allen’s other films of the last decade. Starring Joaquin Phoenix in the title role as Abe Lucas, the disillusioned alcoholic and mopey philosophy professor, and Emma Stone as Jill, the philosophy student inexplicably drawn to him, Irrational Man follows their friendship and Abe’s odd journey to finding a reason to keep living.

Prior to discovering his purpose in life, Abe was living a drunken existence without meaning (or sex). He was once an accomplished writer, philosopher, and philanthropist but lost his way when he realized he would never be able to bring real change to the world.  When he starts to focus on changing the world for one person, his outlook immediately changes and he begins an elaborate plan to execute the good deed. While he sees his tasks as completely rational, from the outside world it is completely the opposite, hence the name of the film. The concepts in Irrational Man are both light and dark, which is typical of a Woody Allen film

The film is just over an hour and a half, which makes it a quick watch by today’s standards. It didn’t “drag on” and while the ending may leave you a bit stunned (but not entirely disappointed), Irrational Man doesn’t leave you with any lingering feelings towards it, good or bad. It’s not likely to be a film you will watch again, but it’s also not something that will make you angry for wasting your precious time.

Irrational Man originally premiered at the Cannes Film Festival in 2015 and saw a wider release in August 2015. The majority of the box office totals ($27M) came from the foreign market

Watch the official trailer here:

 

 

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Room – Lenny Abrahamson

Room starring Brie Larson and Jacob Tremblay.
Photo Credit: George Kraychyk/A24 Films

Lenny Abrahamson is an Irishman you’ve probably never heard of before, but you’ll be hearing a lot more of him after this year. With only 4 other feature films under his belt (none that would have played outside of film festivals), Lenny Abrahamson has done something extraordinary with Room. This little film won the Grolsch People’s Choice Award at the Toronto International Film Festival and had an audience of critics and movie lovers on their feet applauding with fresh tears in their eyes. Since then, it has been one of the most talked about movies to snag three Oscars nominations for movies in 2015.

The majority of the movie is a mother and young son confined to a small room, with very minimal supplies and not much hope for a better future. Brie Larson puts in a powerful performance as the young mother who was kidnapped as a teenager and repeatedly raped by her captor while she was forced to live in a small space with a few amenities. Her son Jack, played by Canadian newcomer Jacob Tremblay, has lived his entire life without seeing the outdoors, other than through a small skylight. His reality is “Room” – the generic name they have given their tiny home; not the room, not a room, but just simply Room.

Instead of a completely devastating film, what you get with Room is a bit of a roller coaster ride. At first you just watch them live their day-to-day life and begin to understand their relationship and Jack’s lack of understanding of what life is really like outside. When they decide to escape, you hold your breath, hope they succeed, and likely hold back some tears. As expected, Jack handles their homecoming and his new reality better than his Mom, but it is a slow process as he adjusts to the other people in his life. It is difficult to watch the young mother struggle with her emotions, the unwelcome fame, and with her parents – who are also having a tough time – but the whole thing is incredibly intriguing. At the back of your mind is always the thought that this has actually happened to people, so coupling that thought with the fact that the acting is absolutely flawless, you truly feel for the characters in the movie. Supporting cast includes Joan Allen (The Bourne Series, The Upside of Anger, The Notebook) and William H. Macy (Fargo, The Lincoln Lawyer, Wild Hogs).

Brie Larson (Don Jon, 21 Jump Street) deservingly won both the Golden Globe and the Academy Award for Best Actress and it’s a real shame that Jacob Tremblay did not receive an acting nomination because he was the other half of the movie and essentially made her performance better. Seeing such range from an 8-year old is incredible and he was certainly more deserving than the winner of Best Supporting Actor category in 2016 (Mark Rylance) and at the very least on par with the other nominees (Christian Bale, Tom Hardy, Mark Ruffalo, Sylvester Stallone).

Room is both unforgettable and rewarding. You may not watch it more than once, but you’ll be better for having seen it. It is based on the book “Room” by Irish-Canadian author Emma Donoghue.

Room was shown at the Toronto International Film Festival in September 2015 and was released to an increasing number of theatres in Canada and the U.S from October 2015 to January 2016.

Watch the official trailer for Room here:

Spotlight – Tom McCarthy

Spotlight starring Michael Keaton, Mark Ruffalo, and Rachel McAdams. Photo Credit: Kerry Hayes

Spotlight starring Michael Keaton, Mark Ruffalo, and Rachel McAdams.
Photo Credit: Kerry Hayes

At this point most if us know the sex abuse stories, about priests taking advantage of young, scared, impressionable children. It’s both disgusting and shocking and not really something we want to think about. Spotlight puts you at the front of the initial investigation by The Boston Globe that brought the news of this terrible cover-up by the Catholic Church to light in the early 2000’s. The investigative team for the Globe, called “Spotlight” earned the paper a Pulitzer Prize for Public Service in  2003. One can only imagine how disturbing this information would have been to come across, especially knowing that the evidence and accusations against the Catholic Church had been around for decades. Spotlight introduces you to the team that was dedicated to uncovering the story and what they went through emotionally trying to piece it all together. The result is a disturbing, yet professional, film that honours the investigators and doesn’t glorify anything. It never undermines the importance of the truth and its responsibility to the audience. It’s no mistake that Spotlight has walked away with six Academy Award nominations including Best Picture, Best Director, and Best Original Screenplay.

Just as the investigative team works together and no one tries to outshine the other, the cast of Spotlight is so well-balanced that it’s difficult to say whose performance was better because they were all gripping. However, both Mark Ruffalo (The Avengers, Foxcatcher) and Rachel McAdams (Southpaw, About Time) showed the most emotional range and both have been nominated for Best Supporting Actor Oscars.  Michael Keaton, who received his first Oscar nomination for Birdman or (The Unexpected Virtue of Ignorance) last year is great as the veteran manager of the “Spotlight” team who just wants to “get it right”. Liev Schreiber (Salt, X-Men Origins: Wolverine) deserves some credit for his wonderful (and underplayed) portrayal of the outsider who has just stepped in as editor of The Boston Globe; he doesn’t say much, but his direct delivery can be quite amusing. Finally, Stanley Tucci (The Hunger Games, Julie & Julia, The Lovely Bones) is perfection as the untrusting, but dedicated lawyer just trying to do the right thing no matter the cost.

Despite its heavy topic, Spotlight isn’t without humour; but it is completely appropriate and timed just right to help lighten the mood when it is most needed. The ending is not comforting, nor should it be, but you are left satisfied that the journalists did their jobs and that they did it right. The history of the abuse was finally public knowledge that could not, and would not, be ignored any longer.

What actor-turned-director Tom McCarthy (now with 3 Oscar nominations) has done here should be admired. Many would think it a big risk to make a movie about this delicate topic. Spotlight was perfectly unshowy and remained sensitive to the material, all while keeping the audience absorbed in the characters and their main goal. The final punch, the statistics surrounding the sex abuse, will leave you shaking your head and demanding justice. It’s exactly the reaction you should have. Spotlight has done its job.

Spotlight had a limited released in the USA and Canada in November 2015. It has been released in most other countries since January/February 2016.

Update: Spotlight won the Academy Award for BEST PICTURE

Watch the trailer here:

The Revenant – Alejandro G. Iñárritu

The Revenant starring Leonardo DiCaprio and Tom Hardy. Photo Credit: Everett/Rex/Shutterstock

The Revenant starring Leonardo DiCaprio, Tom Hardy, and Domhnall Gleeson.
Photo Credit: Everett/Rex/Shutterstock

This is a movie about pain – mental and physical pain.  Leonardo DiCaprio will make you feel every bit of suffering endured by his character, Hugh Glass, in The Revenant, Alejandro Iñárritu‘s latest 156 min tour de force. If gore and death make you at all squeamish, this is not the movie for you. Arrows cutting through flesh, burning bodies, claws ripping through skin and crushing bone, the disembowelment of a horse, these are just a few things that might turn a lot of people off. But if you can handle it, you’re in for a film experience that doesn’t come around very often.

Fresh off of his Best Picture and Best Director win at the Oscars last year for Birdman or (The Unexpected Virtue of Ignorance), Alejandro Iñárritu has directed and written yet another masterpiece, although arguably less, shall we say, odd. The Revenant takes place in the early 19th century American wilderness and tells the (embellished) true story of Hugh Glass, a renowned fur-trapper who was left for dead by the men he was guiding after he was viciously mauled by a bear. The majority of the movie is watching him struggle to survive and watching him try to make his way back to the camp to face the man who ultimately made the decision to leave him (Tom Hardy).

From the group’s first ambush by natives, it’s clear that there will be a significant amount of violence throughout the movie. The scene with the bear is by far the most gruesome and realistic attack by a wild animal ever to be shown on screen; it just proves that there is absolutely no holding back in The Revenant. The horror stories from the set, from the freezing temperatures to the struggles to find the right setting and only being able to shoot an hour a day in order to get the ideal natural lighting, shows the director’s passion and desire to get things perfect. Whether or not you can stomach the brutal violence, there is no denying the fact that it is a visually stunning film. It’s as real as it’s going to get for a movie filmed in this age of technology.

There are incredibly strong performances in The Revenant, led of course by Leonardo DiCaprio in one of his most outstanding immersions into a character to date. This is what acting is. Every moment is a struggle for Hugh Glass and Leo makes sure the audience struggles with him every step of the way. Even though they aren’t getting as much credit as Leo, Tom Hardy and Domhnall Gleeson are just as convincing, albeit with smaller roles (Tom Hardy also has a nomination for Best Supporting Actor). For a movie just over 2.5 hours, there isn’t much dialogue (especially for Leo) but nature and the subtle soundtrack play such strong parts that it doesn’t really matter. What Alejandro Iñárritu has done with this film is nothing short of spectacular. To get the audience to actually feel cold (and a little sore) when leaving the theatre is not an easy feat, and he certainly did his job with the help of the cast.

Nominated for 12 (of 14) Oscars, The Revenant will certainly walk away with a number of wins on February 29th – and it would be an utter travesty if Leonardo DiCaprio did not win Best Actor.

The Revenant saw a limited release in the U.S. at the end of December 2015 and has had a steady theatrical rollout from January 2016 through to the end of February 2016.

Update: The Revenant won Academy Awards for BEST ACTOR, BEST CINEMATOGRAPHY,  and BEST DIRECTOR

Water the official trailer here:

Carol – Todd Haynes

Carol starring Cate Blanchett and Rooney Mara.

Carol starring Cate Blanchett and Rooney Mara.
Photo credit: Wilson Webb/The Weinstein Company

If all you’re looking for is a nice, sleepy, Oscar-nominated musical score by the guy who does all the Coen Brothers’ movies and some slick production design, then Carol is the movie for you. To say this movie starts out slow is an understatement; and to some, the entire two-hours of this 1950’s love story will be torture to watch. The sad reality of Carol is that it will not appeal to everyone, but those who live for the Oscar categories of costume design, cinematography, and production design will be completely engaged. For this movie to captivate you, you need to be very patient and you need to be the type to appreciate the art of film-making and film direction.

Based on the novel “The Price of Salt”, Carol tells the story of two women – a young one (Rooney Mara) who doesn’t yet know who she is, and the older, unhappy one (Cate Blanchett) who she falls head over heels in love with. It’s the 1950’s, so lesbian love is not something that is widely accepted or tolerated to a great degree. The main point of drama is the fact that Carol’s husband (from whom she is separated) is trying to get their daughter taken away from her because of her pattern of “inappropriate behaviour” with women – which also doubles as a silly attempt to “get her back” because if he can’t have her, no one else should, especially not a woman.

The reviews from both critics and viewers have been very positive, but it truly takes a certain type of movie-watcher to appreciate the subtleties of the performances and the artistry of the film-making. It won’t knock your socks off unless this is the only thing you look for in a movie experience. It’s unfortunate, but the general population just won’t see the tragic beauty in Carol and the love story will be lost among the countless scenes of silence, frustratingly long gazes, and the general lack of climax.

Cate Blanchett’s performance is good, there is no question, but compared to her other Oscar-winning or Oscar-nominated performances (Blue Jasmine, The Aviator, Notes on a Scandal, I’m Not There, Elizabeth, etc.), this is nothing special and certainly not something the masses can get behind. Aside from one steamy lesbian love-making scene, there are only a couple other scenes that stand out. Like Meryl Streep, Cate Blanchett could be nominated every time because she’s just that good, but maybe the standards should have been set a little higher for her this time. All in all, Carol is walking away with two acting nominations (Best Actress and Best Supporting Actress), and four others for its cinematography, musical score, costume design, and screenplay (adapted).

The many accolades it has received from prestigious film festivals proves that, in a way, Carol is just like poetry – a select few find it beautiful, powerful, and deep, and most others will just be bored and unimpressed.

Carol opened in limited release in the USA in November 2015 and Canada in December 2015. Worldwide gross is only $29M to date and it can still be found playing in some theatres leading up to the Oscars on February 28, 2016.

Watch the official trailer here:

The Big Short – Adam McKay

The Big Short starring Christian Bale, Steve Carell, Ryan Gosling, and Brad Pitt.

The Big Short starring Christian Bale, Steve Carell, Ryan Gosling, and Brad Pitt.
Photo Credit: Jaap Buitendijk / Paramount Pictures

Christian Bale, Steve Carell, Ryan Gosling, and Brad Pitt. Could you ask for a better cast? If the answer is yes, then add Marisa Tomei, Melissa Leo,  Hamish Linklater, and Jeremy Strong and you’ve got The Big Short.  Between six of the lead actors, there are 6 Oscars and 9 Oscar nominations, so it’s not surprising that this movie has already done very well. We’re well into awards season now, and although The Big Short did not walk away a winner, it was nominated for 4 Golden Globes in the two male acting categories, adapted screenplay, and best picture. It still has another chance in late February with its 5 Academy Award nominations (Editing, Screenplay, Actor, Directing, and Best Picture).

This movie takes a very complex topic – the 2008 financial crisis – and attempts to explain it in a way that the average adult can understand. There are so many moving parts and economics isn’t everyone’s strong suit, so it does it’s best (complete with various celebrities trying to dumb it down for us) and mostly succeeds.  Regardless of whether you understand all the intricacies and terminology or not, you’ll still walk away from it feeling sick and cheated – and that’s the whole point.

The movie is centralized around three different groups of men who notice something no one else did – that the U.S housing market was built on a bubble, and that bubble was going to burst. Michael Burry, the one guy who discovered it all is played by Christian Bale. His quick actions sparked the interest of the other teams, who quickly began doing their own investigations. These teams included FrontPoint Partners, lead by Mark Baum (an amazing performance by Steve Carell) and two young guys with a hedge fund start up. They all go about finding a way to make money off of the greed, corruption, and general stupidity of the banks – they bet against the housing market.

The Big Short is filmed in a bit of a quirky way that may annoy you in the first 10 minutes but you’ll quickly get over it and later recognize it for its brilliance. It’s like you’re watching real life unfold in front of you, except you know what’s going to happen. Quick flashes of real images and video serve as a reminder of how things changed so quickly. The script is nothing short of genius and the dialogue is quick-witted and blunt. The fourth wall is broken a number of times, but it works in every case and doesn’t affect the fluidity of the film, in fact, it makes it more real. Steve Carell outshines everyone else and it is likely one of the best performances of his career to date. Unfortunately his performance was not acknowledged by The Academy and Christian Bale was nominated for Best Actor instead. He won’t win, but it’s still a nice nod in his direction. Considering Adam McKay’s previous claims to fame included Anchorman and Talladega Nights: The Ballad of Ricky Bobby, the Best Director nomination is a big step in the right direction for him.

It’s definitely worth a watch, but the target audience for this movie is likely 25+… make that 40+ in order to really identify with what the collapse of the U.S. housing market did to the world. The younger generations will find the fast dialogue amusing, the topic informative, and the forecast for the future slightly troubling, but they won’t have the same appreciation for the utter stupidity that ended up costing tons of people their jobs and their life savings.

The Big Short is still playing in some theatres but is mostly gone from the rotation. It still managed to pull in over $100M (worldwide) since its release in December 2015.

Watch the official trailer here:

Star Wars: The Force Awakens – J.J. Abrams

Star Wars: The Force Awakens starring Daisy Ridley, John Boyega, and Harrison Ford.

Star Wars: The Force Awakens starring Daisy Ridley, John Boyega, and Harrison Ford.

The force of nostalgia is strong with this one. It could possibly be the one time parents and grandparents appreciate a sci-fi film more than the kids; because it’s not just about the action, it’s about the feeling you get from seeing old friends again after spending more than 30 years apart. Although it’s true that Star Wars never really went away (since the 70’s it’s been an almost constant thing in our lives – the merchandise, the toys, the digital remastering, the re-releases, and of course the prequels), this new movie feels like a real homecoming.

People will be, and have been, flocking to Star Wars: The Force Awakens in droves since it was released in theatres on December 18, 2015. It’s everything that fans, both young and old, were waiting for. We can finally let go of Episodes I, II, and III and pretend they never happened at all; they have been replaced with a reboot that we all deserved and waited so long to see. All it took was a new director, producer, writer, a (mostly) new cast, better technology, and a couple hundred million dollars.

The newcomers to the series need to be applauded because they essentially carry the movie. Their lead roles in the film were kept secret (even from their parents) and the end result was pleasantly surprising. Both Daisy Ridley (Rey) and John Boyega (Finn) had not done anything of consequence up until this point and are well on their way to becoming stars. Their acting abilities are so far beyond anything that had been seen in Star Wars previously and it’s certainly a breath of very fresh air for the series that struggled in that department in the past. Other supporting actors like Oscar Isaac (Inside Llewyn Davis), Domhnall Gleeson (About Time), and Adam Driver (This Is Where I Leave You) are all slightly more recognizable and accomplished actors and played their parts perfectly, especially the two villains. Oh, and you’ll fall in love with the new droid BB-8; it doesn’t say anything but it’s amazing how much can be conveyed with a few beeps and bops and a slight tilt of the head. Bringing back R2-D2, C-3PO, Chewbacca, Han Solo (Harrison Ford), Princess Leia (Carrie Fisher), and Luke Skywalker (Mark Hamill) was icing on the cake and probably the best thing that J.J Abrams was able to accomplish early on with Episode VII.

The plot of the film isn’t overly complicated and thankfully doesn’t involve any council meetings or a senate. It is focused on finding the location of Luke Skywalker and defeating the evil Empire (once again) who have created yet another planet-destroying weapon. There are a few other side-plots where it helps to have seen Episodes IV to VI, but it remains something that can still be enjoyed by strangers to the galaxy.

Star Wars: The Force Awakens is the reason why people watch movies: entertainment, entertainment, entertainment. It simply doesn’t stop! At the end of the 135 minute runtime, you’ll likely find you didn’t want it to end at all. Lucky for you though, the next movie is already filming.

With all the terrible things going on in the world today and with tragic headlines only a click away, Star Wars: The Force Awakens offers the chance to escape to a galaxy far, far away. It won’t change anything, but it’ll help you forget as you’re immersed in a world where evil is literally black and white and the good guys always win.

Star Wars: The Force Awakens is now playing in theatres everywhere.

Watch the official trailer here:

The Martian – Ridley Scott

The Martian starring Matt Damon.

The Martian starring Matt Damon.
Photo credit: Aidan Monaghan/20th Century Fox

The words “Ridley Scott” and “comedy” are not often seen together in the same sentence, but in the case of The Martian, many reviews have made the exception. Director and Producer Ridley Scott is best known for films such as Blade Runner, Alien, Gladiator, and Prometheus – all great movies, but all with little-to-no humour. The Martian is something different altogether and definitely appeals to a much larger audience than the other films.

The Martian was adapted by Drew Goddard (Cloverfield, World War Z) from Andy Weir’s book of the same name. With a lot of heavy involvement from NASA as well as other space experts, the science behind The Martian strikes a balance between fiction and fact. Unlike the other movies it has been compared to, namely Interstellar and Gravity, almost everything in the book and the movie is said to be accurate or at least “possible”. The humour from the book was kept alive by Matt Damon, who plays the lead character Mark Watney who is left behind on Mars for a long, long time. With limited food and supplies, he is forced to use his NASA training and botany background to “science the shit” out of everything in order to survive.

The majority of the movie is a one-man show, and Matt Damon is absolutely hilarious. His character uses a video diary to capture his thoughts and document his time on Mars and despite his dire situation, he keeps his spirits up by staying active and seeing the humour in everything that happens. Jeff Daniels, who plays the Director of NASA, is also seen channelling his Newsroom character and is fun to watch. Other actors in supporting roles include: Kristen Wiig, Jessica Chastain, Sean Bean, Kate Mara, and Michael Peña.

The movie has everything – laughs, tears, action, and edge-of-your-seat sequences that will have you holding your breath. It is a story about science, exploration, adventure, and problem solving and how it can bring people together. The Martian was conveniently released around the same time as the discovery of water on Mars and hopefully it will bring some interest back to NASA and help it become what it used to be in the 60’s – exciting!

The Martian was released on October 2, 2015 and is now playing in theatres everywhere.

Watch the official trailer here:

Southpaw – Antoine Fuqua

Southpaw starring Jake Gyllenhaal and Rachel McAdams.

Southpaw starring Jake Gyllenhaal and Rachel McAdams.
Photo Credit: Scott Garfield/The Weinstein Company

Heartbreaking, absolutely heartbreaking. Directed by Antoine Fuqua (Tears of the Sun, Training Day, Shooter, The Equalizer) and starring Jake Gyllenhaal, Southpaw follows the story of a very successful boxer, Billy Hope, who falls on hard luck after his wife (Rachel McAdams) dies tragically and everything else in his life disappears along with her.  In order to get his life and his daughter back, Billy Hope puts all his hope (not to mention his body) into getting back in the ring and becoming a better man and single father. With the help of a new trainer with demons of his own (Forest Whitaker), Billy finds it in himself to change his style, his attitude, and ultimately, the trajectory of his life. It can be painful to watch at times (for the punching as well as for the more emotional scenes), but it’s certainly worth watching.

Sports-related comeback movies are not uncommon, but what makes Southpaw so unique is the pure, raw emotion and the way it is presented. This movie is so well-acted that you forget you have seen this kind of boxing/redemption movie before. Jake Gyllenhaal is like you’ve never seen him. In order to condense the eight months of necessary boxing training in half, he trained twice a day for four months in order to get his body into the right shape and have enough boxing prowess to film the fight scenes. His isn’t just physically at his best either, this is one of the better performances he has given in his 24-year career. The other actors that should not (and cannot) be overlooked are the ones who play his wife and daughter, Rachel McAdams and Oona Laurence.  Since it was shown in the previews and provides the basis for the movie, the on screen death should come as no surprise and shouldn’t be considered a spoiler. But brace yourself; it is by-far one of the most gut wrenching, realistic, and heartbreaking moments you can ever witness on film.  Oona Laurence also has many impressive scenes, especially for a newcomer such as herself.

Overall, Southpaw is not light, is not funny, and should be watched with the expectation that you will be emotionally affected, perhaps even grieving through some intense moments. It is an absolute must-see for the performances and to witness what the human body can do (and endure) in four months.

The soundtrack features two new songs from Eminem (“Phenomenal” and “Kings Never Die”) and a score by the late James Horner, to whom the soundtrack was dedicated. As usual, Horner delivered a powerful score; his music and his talent will certainly be missed.

Southpaw is now available on DVD and Blu-ray. It made over $104M in the worldwide box office, about 50% of that was domestic.

Watch the official trailer:

Trainwreck – Judd Apatow

trainwreck

Trainwreck starring Amy Schumer and Bill Hader.
Photo Credits: Mary Cybulski / Universal Pictures

Amy Schumer is the new “it” comedienne, there’s no denying that. After blowing up on the small screen by starring in her own TV show Inside Amy Schumer and finding herself featured on shows like the latest season of The Bachelorette, it was just a matter of time before the big names in Hollywood decided to back her on her own feature length film – Trainwreck. She wrote it, she stars in it, and Judd Apatow directed it. When you mix her flare for breaking down the male/female boundaries and her crude tell-it-like-it-is (not to mention shameless) delivery with his history of directing such funny filth, it certainly seems like a winning combination. It’s hard to say exactly where it went wrong, especially when so many critics and movie-goers raved about it, but a seasoned comedy screenwriter (like Apatow) likely could have made it better. Trainwreck had all the components of a great summer comedy, except and experienced rom-com writer; luckily though, it got away with it for the most part.

Amy Schumer stars as a commitment-opposed magazine columnist who unexpectedly falls for a sports doctor, played by Bill Hader. She’s blunt, funny, the opposite of graceful, and has a soft spot for her father. Amy’s got all the qualities of a stereotypical promiscuous man….but is, in fact, a woman; she just hasn’t found the right guy to settle down with. Therein lies the message that some feminists…. sorry, columnists, took issue with when bashing….sorry, reviewing, the movie. If you aren’t one to care about the underlying messages in romantic comedies or how they affect society’s perception of men and women, then just relax, adjust your blinders, and enjoy the film. That’s what these kinds of movie are for anyway!

The odd thing about Trainwreck is that the funniest actor is actually not an actor (or comedian) at all – it’s LeBron James. It can be very painful to watch athletes attempt to get a laugh from the crowd, especially when they’re playing themselves; however, LeBron is so incredibly believable and funny in his delivery  that you actually find yourself looking forward to scenes with him in them. He’s hands-down the best thing about the movie, which doesn’t say much for the more experienced actors that were supposed to carry the film.

It’s not that Trainwreck was that bad, because so many people found it hilarious, it’s just that it could have been so much better. And finally, as with every Judd Apatow movie, it was about 30 minutes too long. All that being said, it still makes for a good girls night or a date night movie, as long as you’re not easily offended by crude language and awkward sex scenes.

Trainwreck was released in theatres back in July 2015 and will be available on DVD and Blu-ray on November 10, 2015.

Watch the trailer: